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Production
In 1973, George Lucas wrote the Star Wars saga's fundamental
story in the form of a basic plot outline. He would later
profess that at the time of the saga's conception, he had
not fully realized the details—only major plot points
throughout the series.[2]. He transformed his notes concerning
Episode III into a screenplay in 2003 and 2004, in addition
to allowing playwright Tom Stoppard to ghost-rewrite it and
polish its dialogue.[3] During production, a large number
of fans speculated online about the film's subtitle; rumored
titles included Rise of the Empire, The Creeping Fear, and
Birth of the Empire.[4] Eventually, Revenge of the Sith also
became a "guessed title" that George Lucas would
later announce to be true.[5]
After the earliest draft of the screenplay was submitted,
the art department began designing the various ways that each
element could appear on screen. For the Kashyyyk environment,
the art department turned to The Star Wars Holiday Special
for inspiration.[6] Over a period of months, Lucas would approve
hundreds of designs that would eventually appear in the film.
He would later rewrite entire scenes and action sequences
to correspond to certain designs he had chosen.[7] The designs
were then shipped to "pre-visualization" to create
moving CGI versions known as "animatics". Ben Burtt
would edit these scenes with Lucas in order to previsualize
what the film would look like before the scenes were even
filmed.[7] The pre-visualization footage featured a basic
raw CGI environment with equally unprocessed CGI characters
performing a scene (typically an action sequence). Steven
Spielberg was also allowed to assist both the art and pre-visualization
department's designs for several action sequences in Revenge
of the Sith.[7] Later, the pre-visualization and art department
designs were sent to the production department to begin "bringing
the film out of the concept phase"[7] by building the
various sets, props and costumes. To determine the required
sets, Lucas analyzed each scene with the staff to see which
moments the actors would come in most contact with the set,
warranting the set to be constructed.
Ewan McGregor standing on an almost completely green screen
set. This type of set was used frequently during the production
of Revenge of the Sith.During this time, actors Hayden Christensen
and Ewan McGregor rehearsed extensively with stunt coordinator
Nick Gillard to memorize and perform their climactic lightsaber
duel together. In addition to performing the scenes as actors,
they rehearsed each fight scene together for months on end.
Like the previous two prequel films, all lightsaber battles
featuring Obi-Wan and Anakin were performed by the actors
themselves without the use of stunt doubles.[8] As a result
of months of practice, the speed at which Anakin and Obi-Wan
engage in their duel is the speed at which it was filmed,
and was not digitally accelerated. However, there are instances
where single frames were removed to increase the velocity
of particular strikes. An example of this occurs as Obi-Wan
strikes down on Anakin after applying an armlock in the first
half of the duel.[2]
Although the first scene filmed was the final scene to appear
in the film (shot during the filming of Attack of the Clones
in 2000)[9], principal photography on the film occurred from
June 30 to September 17, 2003. The film was shot entirely
on sound stages at Fox Studios Australia in Sydney, although
practical environments were shot as background footage later
to be composited into the film. These included the limestone
mountains depicting Kashyyyk, which were filmed in Phuket,
Thailand (they were later damaged by the 2004 Indian Ocean
earthquake and tsunami). The production company was also fortunate
enough to be shooting at the same time that Mount Etna erupted
in Italy. Camera crews were sent to the location to shoot
several angles of the volcano that were later spliced into
the background of the animatics and the final film version
of the Mustafar planet.[7]
Revenge of the Sith eventually became the first Star Wars
film in which Anakin Skywalker and the suited Darth Vader
were played by the same actor in the same film. As Hayden
Christensen recounted, it was originally intended to simply
have a "tall guy" in the Darth Vader costume. But
after "begging and pleading" with George Lucas,
the Vader costume used in the film was created specifically
to fit Christensen. The new costume featured shoe lifts and
a muscle suit.[10] It also required Christensen (who is 6
ft 1 in or 1.85 metres, while David Prowse is 6 ft 7 in or
2 meters) to look through the mouthpiece of the helmet.[11]
While shooting key scenes, Lucas would often utilize "A
camera and B camera", or the "V technique"
a process that involves shooting with two or more cameras
at the same time in order to gain several angles of the same
performance.[7] Using the HD technology developed for the
film, the filmmakers were able to send footage to the editors
the same day it was shot, a process that would require a full
24 hours had it been shot on film.[7] Footage featuring Mustafar
was given to editor Roger Barton, who was on location in Sydney
cutting the climactic duel. All other footage was forwarded
to lead editor Ben Burtt at Skywalker Ranch in California.
The post-production department began work during filming
and continued until weeks before the film was released in
2005. Special effects were created using almost all formats,
including model work, CGI and practical effects. The same
department later composited all such work into the filmed
scenes—both processes taking nearly two years to complete.
Sith holds the world record for most special effects used
in a single film: over 3500 shots.
As the DVD featurette Within a Minute illustrates, the film
required 910 artists and 70,441 man-hours to create 49 seconds
of footage for the Mustafar duel alone.[7] The film was produced
with a budget of US$113 million, making it the least expensive
of the three prequel films.[12] Members of Hyperspace, the
Official Star Wars Fan Club, received a special look into
the production. Benefits included not only special articles,
but they also received access to a webcam that transmitted
a new image every 20 seconds during the time it was operating
in Fox Studios Australia. Many times the stars, and Lucas
himself, were spotted on the webcam.[13]
This article is licensed under the GNU
Free Documentation License.
It uses material from
http://en.wikipedia.org/wiki/
